![]() The mixed reviews of The French Dispatch noted its clunky structure as part of why it didn’t land with all audiences, but its uneven separation of stories is completely intentional. Unsurprisingly, The French Dispatch as a whole is a tribute to journalism, particularly The New Yorker. It also doesn’t seem coincidental that Anderson recruited Timothée Chalamet, a half-French American, as one of the movie’s stars. Nonetheless, French pop culture is heavily interspersed throughout The French Dispatch, with subtle French phrases, tributes to great 1960s directors like Truffaut, and inclusions of bygone French singers. On the contrary, The French Dispatch is an Americanized version of quaint France, following expatriate journalists who settle their Kansas publication in the fictional French town of Ennsui-sur-Blasé. It’s also a cartoonish ode to French culture that many have compared to his tribute to Japanese culture in the movie Isle of Dogs, though the latter film was also criticized for fetishization. ![]() The French Dispatch is Wes Anderson at his most nostalgic, his most technically enhanced, and the quirkiest conception of his characters. The 2021 movie has also been described by critics and fans as the most Wes Anderson movie to date however cliché the description is, it’s not incorrect. ![]()
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